Petronilla Hohenwarter, born in 1965 in Germany.
"I am a permanent resident with an Art Studio in Bavaria.
Since 1998 I have been working as an artist full time."
"I AM is the highest name for the Eternal - the Source within me the hidden space of the Divine,
there the Energy flows and creates the Artwork as Result.
I am as I am, you are as you are and so we are as we are - divine individual Human Beings with a delightful Taste of Humor.
I am not born as an artist but I am gifted to create visual art.
The process of Creation sets me free.
This Journey is a treasurable Adventure and is appreciated and rewarded while following the Call of my Soul and enjoying life utmost.
An Artwork is like a Mirror to see more about ourselves and life in general."
HONORATION | GRANTS | AWARDS
2014 CULTURE AWARD of the Kulturverein FRG E.V, Germany
2005 HONORATION of the Government of Lower Bavaria for the Work Series Existence of Universe.
2003 1. PRICE of the ABSTRACTA at Gallery Art Point Black, Florence, Italy.
2002 DEBUTANTES AWARD | Ministry of Science, Research, Art Munich for the Series IN TOUCH.
Riccardo Carnaghi, born in 1993 in Legnano, is an italian artist and Junior Architect. He got his bachelor degree in Architecture at Politecnico di Milano, where is still attending a Master in Architecture.
Determining in the decision to start the path of art was the architectonic education, subject that he has always felt very close since when he was at high school of arts. Architecture is art, but could it be also painting? Is it possible that these two kind of art can meet at some point where they translate each other?
Riccardo’s works can be defined as research and analitic investigation of proper shapes of architecture through human body figures. They can be considered also as the ideal pursuing of that tradition that from Vitruvio to Leon Battista Alberti, from Leonardo da Vinci to Le Corbusier, has always tried to find shapes and proportions related to the human body to make the aestethic research connected to architecture growing through these knowledges.
His works, some of them already showed in private International collections, are strongly related to the figurative language in homage to the great artists of the modern movement. For a period, his research deals more intensively for the decomposition of the human figure, to the reachness of shapes apparently ridde but then useful in the design phase. Indeed the structure of these figures tends towards a stylization. Some rectangles that yearn on the canvas surface, materialize and connect bodies to the space indissolubly. In the same way the architectures that so much arouse the artist, act and are related to the context in which they rise.